By all these lovely tokens September days are here, With summer’s best of weather and autumn’s best of cheer.Helen Hunt Jackson
This is such a beautiful time of year, one that always makes my heart sing. We have been enjoying those perfect late summer days, with cloudless skies colour-washed in blue from pale duck egg, delicate as the finest porcelain, to a deep cornflower so achingly intense and pristine, it almost hurts the eyes.
Sunset brings a cloak of rich purples . . .
. . . or something altogether different if clouds have bubbled up during the afternoon.
I love the way the shift in light illuminates plants in the garden in different ways, like swivelling the beam of nature’s spotlight to a new angle, uplighting leaves and dappling fruit.
At other times, the weather has been the kind that took me so long to get used to when we moved here, the low cloud weaving itself moodily around the mountain tops bringing a level of light that instinctively says it’s time for long trousers and socks . . . but step outdoors and it’s still most definitely shorts and sandals territory. The warm evening air is still and laced with a sweet softness, scented with the unique fragrance of Japanese quince and a subtle hint of wood smoke drifting up from the village.
The air is clotted with spirals of swooping swallows and martins, feeling their wings and filling their boots before their thoughts turn southwards. Flocks of gaudy goldfinches have returned after their summer business, chattering and flapping low-level through the meadow, greedily plucking at fluffy seedheads in their noisy charge. Butterflies flap languidly, bumble bees hum sonorously, the robins strike up their melodious fluting once more; no question that the slow pulse of late summer is wrapping itself around us now.
One of my favourite things about our home is that it sits snuggly in its own patch of land; the garden area may not be particularly large but we benefit from borrowed light and space and landscape from the meadows beyond.
This time of year is a great one to actually leave the garden and go a-wandering further afield (no pun intended). The grass practically stops growing through August so the cows have been off the fields for some weeks and in their absence, other life is thriving even more than usual.
Our meadows are about as traditional as they come. When the cattle return, it will be as a small family troupe of one bull and several cows with calves of varying ages, everything from wide-eyed tots staying close to their mothers, to nonchalant, streetwise teenagers, haring about in rowdy gangs. They will graze here for a couple of weeks at most and then be moved on; over-grazing is something that simply doesn’t happen. As the land is so steep, no tractor can work it so there is no question of making hay or spreading manure: the cows are relied on to get busy at both ends to do the business! The result is a meadow carpeted with wildflowers . . .
. . . and the closer you look, the more you find.
For us, it is a lovely place to sit in the sunshine and enjoy the sheer exuberance of the life around us.
There is certainly no shortage of fascinating creatures to observe.
It’s not just the small things that are here, either. We often see deer spill like molten metal from amongst the trees to graze, then slip away silently into the woods; foxes are regular visitors, in particular a large dog fox with battle-scarred ears and a silver brush; wild boar rootle through under the cover of darkness, practising their own particular brand of ancient ploughing and the ghostly barn owl glides past, hugging the ground on its crepuscular hunting missions. For me, this is a perfect example of how it is possible to practise modern agriculture and food production on land that still retains an element of ‘wild’ and is home to a wealth of native species.
It’s incredible, too, how quickly nature moves to exert its authority once the grazing has stopped!
Back to the garden, and here we are revelling in nature’s bounty as well as beauty. Every day brings the need to harvest something (well many things, in truth) and it is pure pleasure.
Preparing our evening meal together, I sometimes look at the garden produce and wonder if maybe we should be inviting other people round for dinner? We are so blessed and it is something I never take for granted, especially considering this lot is about as wholesome and organic as you can get . . . and any leftovers make the perfect base for tomorrow’s lunch.
I love the way the season brings a new palette of floral features in the vegetable garden, too; part of me wonders if I’ll ever bother with flower borders again.
There is verbena bonariensis everywhere so honestly, there’s no need to be fighting over a single flower!
This is traditionally the time of year when my thoughts turn to all things woolly; I normally have a small project or two on the go through summer but they’re always a bit haphazard and piecemeal as I’m generally just too busy to sit still for long. My first task was to finish the scraps patchwork blanket I’ve been pottering away at on and off for many months. Sewing the squares together didn’t turn out to be as arduous as I’d thought, and despite such a discrepancy in the amount of different colours I had to use, the finished piece doesn’t look too unbalanced. In fact, I quite like the jolly jumble of those simple squares.
I really enjoy working blanket borders, they pull the whole thing together and give the finished article a satisfying frame, a little weight and touch of decorum to finish the whole thing off. The composition of this blanket has been entirely dictated by the amount of yarn I had left from previous projects and the border was no exception; these certainly weren’t the colours I’d have chosen (oh, for some blues!), simply the ones I had most of.
After a lot of fiddling about with colour order, I settled on the above and worked a round in each, hoping it wouldn’t look over-pinked. It didn’t turn out too badly in the end.
So, with all my yarn scraps used up and only one ball of sock wool left it was definitely time to blow the dust off my spinning wheel again. As part of my zero waste campaign, I set out not to buy any new yarn at all this year and I’ve stuck to that so far, but now I need to get busy turning my box of fleece into skeins for future projects. Having had a good rummage through my fleece stash, I decided to start with some Blue Faced Leicester in natural shades of oatmeal and white.
Can I indulge in a little wool worship here? I love Blue Faced Leicester: of all the fleece breeds I’ve spun so far (I think it was ten at the last count plus alpaca, mohair and silk), it is by far my out and out favourite. If I could only have one kind of wool ever again, it would be this one. The sheep are not the prettiest, but the fleece is a dream. It’s one of the finest British breeds, not quite up there with the much-lauded Merino but not far behind and definitely far easier to spin. In fact, I often think that once the tension is sorted on my finicky old wheel, the BFL spins itself; I can let my gaze drift across the garden or down the valley, even turn and hold a conversation with Roger, safe in the knowledge that nothing untoward is occurring between my fingers and the bobbin.
It isn’t a hugely elastic wool – more draper than hugger – but it’s soft, fairly strong and has a beautiful lustre; the oatmeal might look a dull brown but when the flyer spins, the yarn shines like deeply burnished pewter.
There is much pleasure to be derived from spinning ready-dyed fleece and watching the colours build on the bobbin, or spinning white fleece to mess about with in my dye pot later, but there is also a certain charm to working with natural shades. I liked the idea of spinning equal lengths in both colours, then plying them together to make a marled yarn with an essence of natural things – pebbles, driftwood, pine cones, mushrooms, feathers . . .
I decided to spin the white slightly thicker, so the skinnier oatmeal would twist round it and puff it up a little to create texture; I also deliberately allowed a few slubs of fleece to slip through in bumps so that the finished yarn has a slightly rustic, earthy feel to it which somehow seems to suit the season.
Putting those pebbles back in my collection, I spied a contented little snake curled up under a piece of slate, a perfect echo of the colours, texture and form of my skein of wool. Nature, as always, having the last word. I like that very much. 🙂